Dim witted Dong-chul (Kim Myeong-kon) roams the streets of downtown Seoul wearing the clothes and watch left behind by a film director (Lee Jang-ho) who committed suicide. One day, he sees a pretty college student named Hye-young (Lee Bo-hee). He conspires with auto mechanic Yuk-deok (Lee Hee-seong) to kidnap her, only to discover that she is not a college student but a prostitute. After the taxi Yuk-deok snuck out of the shop is stolen, he and Dong-chul starve for a while, then manage to earn their meals by running errands in the red light district where Hye-young lives. But they are kicked out again when they are caught trying to help a new girl from the country escape. Hye-young sets out after Dong-chul and Yuk-deok, and the three of them enjoy a pleasant time at a seaside resort before Hye-young goes on her way. While working as waiters at a saloon in Seoul, Dong-chul and Yuk-deok run into Hye-young, who is there as a companion for one of the guests. During the ensuing party, Hye-young becomes the plaything of the upper-class men in attendance and eventually loses her life. Dong-chul and Yuk-deok deck her out in fineries and carry her out on their shoulders to bury her.
泰吉•巴德兰德巴德(卡尔•潘 Kal Penn 饰)带着范•维尔德的精神和大学学位,远赴英国加尔福德大学——这里是他父亲曾经“战斗”过的地方,兄弟会“狐狸与猎犬”之屋留下了父亲风光的记忆,然而来这里担任助教的泰吉并不被对方认可,狐狸与猎犬的首脑皮普反而将泰吉戏弄了一通。泰吉来到自己负责的宿舍——被戏称为马厩的败落小屋,这里住着四个边缘化的学生:研究量子物理和男女关系的盖辛,暴躁的爱尔兰人谢莫斯,沉默的宅男赛门以及不检点的女生赛迪。泰吉为了让这几位问题青年重新振作,自组鸡公牛社团向皮普的狐狸与猎犬之屋发起挑战,而皮普的女友查莉令泰吉一见钟情,于是一场关乎学生尊严和助教爱情的奋战拉开了序幕……
一向以搞怪鬼马著称的范·怀尔德(乔纳森·本内特 Jonathan Bennett 饰)刚刚告别高中时代,步入大学。然而他所就读的大学可不简单,怀尔德祖辈几代人都曾在这所军校进修并创下了属于怀尔德家族的光荣,学校不仅军规森严,禁止一切舞会活动,更不巧的是,军校校长还曾是怀尔德父亲学生时代的死对头,一心想把当年的旧帐算到怀尔德头上。显然,一边要在这严肃的气氛下完成学业,一边要对抗校长和一群跟班的刁难,还要承袭怀尔德家族荣誉,这对天生好动的怀尔德可要废点功力。怀尔德开始与室友法利一起,用尽各种搞怪招式,试图一点点地改造校园的气氛,释放不羁的青春…… 本片为《留级之王》系列喜剧的第三部。
The film watches as an enterprising Sugar Baby, offered ten grand to move in with her Sugar Daddy, comes to discover the dark secrets trapped within his home. Pic is described as part biting dark comedy, part erotic thriller — but above all, a story about sex work through a feminist and queer lens.